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    First Aired - 03/06/2011 04:30PM
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    This week on Burning Down the House, Curtis explores the German Passivhaus standard for energy efficiency in a building, reducing its ecological footprint. Tune in as he sits down with architect and friend of the show Ryan Enschede to discuss the concepts behind Passivhaus as they relate to sustainable design & architecture today. Learn more about efficiency in sealing and ventilation and how we can reduce our carbon footprint on the globe. This episode was sponsored by Whole Foods Market

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    First Aired - 01/23/2011 04:30PM
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    Burning Down the House debuts at it's new time slot - now airing live every Sunday at 4:30PM EST. Tune in this week as Curtis is joined by special guest Steve Fuchs and friends of the show Roderick L Knox & Caroline Bailey. Together they embark on a conversation that revisits the old form/function debate, with a twist - Steven Fuchs's idea of "Formtion". The gang goes on to explore the idea of monuments as architecture, imagery in Church design and the significance of the tallest buildings. This episode was sponsored by Hearst Ranch - the nations largest single source supplier of grassfed and grass finished beef. For more information visit www.hearstranch.com

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    Steve Fuchs Explains "Formtion" (19:22)

    Tags:
    Steve harvested tangerines today, it's 20 degrees in New York, does form follow function?, Sir Banister Flight Fletcher, Vincent Scully, William Barrett, Joseph Campbell, decadence of culture, decay, decrepitude, development of architectural expressions, minimalism, is it our new mannerism?, architecture is the art of decoration, embellishing utility, embellishing logic, to make things beautiful takes a specific talent, design vs decoration, stretching the truth, monumental myopia, stevefuchs.blogspot.com, nature or nurture, form and function are synonymous, can sculpture be architecture?, monuments as sculpture or architecture?, architecture functions, sculptures are free to leave out human accommodation all together, form follows philosophy, architects solve problems, Cooper Union Building, some art is monumental, installation art, sculpture can be architectonic,

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    First Aired - 09/01/2010 07:00PM
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    This week on Burning Down the House Curtis laments the slow decline and potential disappearance of works by masters like Frank Lloyd Wright (his Ennis house of Blade Runner fame is in danger) and the various post-war "case study" houses of the 40's. He also stresses the importance of collaboration in everything from architecture to music, and instructs architects to be ignorant of the "trade" processes of building at their peril. This episode was sponsored by Tekserve: your one-stop Mac specialists.

    Photo: Pierre Koenig's Case Study House #22

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    Burning Down The House Intro - A Conversation with You (13:26)

    Tags:
    Curtis B. Wayne, Heritage Radio Network, Tekserve, Jacob Adleman, Associate Press, wonderful and fascinating works of modern architecture now languish on the market, Schindler, Frank Lloyd Wright, selling at a loss if at all, Richard Noitra, Pierre Koenig, Case Study House Number 21, The Plaza Hotel, The Mayflower Hotel, The Schaffer Residence, John Lautner, Schindler's How House, Textile Block style, La Miniatura, taking the house apart block by block and shipping it to Japan, The Old London Bridge move to Arizona, value and how we go about creating our built environment, collaboration is all the rage now, works of solitary masters, The California Case Study Houses, industrial components, Charles Eames, André Le Nôtre, The Entenza House, The Arts and Crafts revival, Richard Morris in England, revolutionaries or reactionaries, The Rossellini Brothers, The Red House, The Bow House, Gropius, Clay, Albers, students and teachers working together, working almost tribally towards a common aesthetic goal, informed by many different disciplines, The Greene Brothers of Pasadena,

    We Can Work It Out (17:45)

    Tags:
    traditionally in design we have many different competing interests, traditionally the architect is the agent of the owner, government organizations defend the interests of the public, the playbook of what problem the built environment is solving, the move from caves, a collaborative spirit has been developing, designers from across the gamut, Bayreuth, Wagner, The Ring Cycles, The Renaissance Man, truly everything does count in the modern world, energy abusers of the 20th century, Curtis's lessons learned studying theater, ballerinas in geometric costumes, Oskar Schlemmer, Bob Israel, consider the specificity of the performer, costume design based on the dancer's body type, Charles Eames, the way to be a good architect is the way to be a good host, The Eames House, expand your area of inquiry to the behaviors of those who will use your building, people as animals, an integrated effort, The Client Collaborative Design Process, involving many voices, the wowza system, the wizbang process, a forum in which there is no defined project leader, corporate settings are fast paced, modifying designs in real time, design is an art of compromise, it's not about how it looks it's how it was created, collaboratively growing a building strengthens the finished product, overall quality of the experience and the creation was a power of magnitude greater, deciding on materials at the beginning, involving the builder from the very beginning, Curtis's father, bankrupted by a coin operated Coke machine, The Bauhaus,

    True Collaboration (13:49)

    Tags:
    Jazz, that's true collaboration, Dan Breindel, the world of collaboration, the built environment, Horace Silver, an emerging trend, Norwegian-American Design Firm, Oslo and New York City, dedicated the teamwork, input from all parties from client to builder, The AIA, codifying a system of contractual relationships, Integrated Project Delivery, IPD, everyone involved is a shareholder, all playing together, considering all aspects, site is very important, projects MUST be site specific, Jean Nouvelle's west 53rd st. tower, tall towers can go anywhere, the AIA's focus is on contracts and profitability, voidence patterns of the past 30 years, architects cannot legally remove themselves from the construction side, learn through exposure to builders and time spent on construction sites, FAR, floor area ratio, Curtis won't name names, passing on a love of building to your junior staff, Snøhetta,

    Everyone Has An Instrument (8:08)

    Tags:
    collaboration, without licensing you can't be called an architect, Curtis B. Wayne: Architect, architects should learn how the trades do what the trades do, The Verb School, Katy Purviance Basic, Matthew Arnold, Fred Dyker, Snøhetta, there is no Mr. Snøhetta, learn more about building and spend less time with your CAD screens in your hothouse of design, the process of constructing a building, Curtis is in a jazz mood tonight, jazz is a good way to understand the collaborative process, everyone has an instrument, everyone has a voice, Richard Morris, be like the composer and the maestro, Dave Brubeck, Avery Fischer Hall, Patrick Martins' father, in this increasing demanding world, considering everything, how people use the things we create, superb jazz, Snøhetta is one of the tallest mountains in Norway,

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