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    First Aired - 09/18/2009 02:15PM
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    Hosted By
    Nat
    Sponsored by
    Tekserve-new
    On the premiere episode of The Naturalist, Bernie Wides teaches us about the glacier that would have eaten New York City and the sex life of barnacles.
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    Giant Glacier Eats New York! (10:14)

    Tags:
    glacier, New York Times, 12,000 years ago the climate was much colder and we were in an ice age, if New York City existed, it would have been devoured by glaciers, laurentide glacier, glaciers slowly advance and retreat, the leading edge was 1,000 feet thick, Empire State Building, George Washington Bridge, interglacial epic, the earth is still warming up from the last ice age, this is what we mean by global warming, fossil fuels, co2, without humans the next ice age would be 100,000 years from now, there's nothing we can do to prevent ice ages, we don't know why earth goes through these cycles, theories, orbit, the earth's axis is tilted 23 1/2 degrees, the earth's axis wobbles like a top, heat energy, the sun, why was there an ice age?, Milutin Milankovitch, building dimensions in New York City, Chrysler Building, the earth is naturally warming up, but humans are speeding up the process, changes in the tilt of the earth's axis,

    The Sex Life of the Barnacle: Size Does Matter! (10:34)

    Tags:
    barnacle, sex life in the animal kingdom, barnacles look like little white dots, they are volcano shaped, inside the cone is a tiny animal like a crab, they are related to shrimps and blue craw crabs, the shell of a barnacle is made by the animal, calcium carbonate, young barnacles are free swimming critters, plankton are at the mercy of the waters, young barnacle is a millimeter in size, eventually, it let's itself sink to the bottom of the water and finds a hard surface, most settle on rocks, they produce an amazing glue that sets underwater, dentists, the barnacle legs point upward out of the cone, operculum, air would dry them out and kill them, they capture plankton with their legs, dinoflagellates, barnacles have the capability of gender changing, the male has a penis that is long enough to reach over into the next barnacle, the penis is longer than its body, females give off pheromones, reproduction, the male extends its penis all around until it finds a female, the barnacle has the biggest penis per body size in the entire animal kingdom, penis envy, sometimes they attach to whales, barnacles cannot move around, diatoms,

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    First Aired - 08/14/2011 02:00PM
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    Hosted By
    The-mike-and-judy-show
    Sponsored by
    Robertas
    This week on the Mike and Judy Show the duo go deep into the issue between what is erotica and what is pornography with Rachel Kramer Bussel, senior editor at Penthouse Variations and avid cupcake enthusiast as well as reporter, author and former peep show star Sheila McClear. Tune in later for in-studio reading from Sheila's new book The Last of the Live Nude Girls with special guitar accompaniment from Mike himself. This episode is sponsored by Roberta's Restaurant.

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    First Aired - 09/17/2012 12:00PM
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    Hosted By
    After_the_jump
    Sponsored by
    Cpp_logo_150x150
    On this week's episode of After the Jump, Grace Bonney is joined in the studio by set designer Lydia Marks of Marks and Frantz. You may know Lydia's work from films such as The Devil Wears Prada, Sex & the City I and II, and Synecdoche, New York. Tune in to hear how documentary photography was instrumental in training Lydia's design eye. Hear Grace and Lydia discuss how movie set design transcends the realm of setting, but also influences character development. How did Lydia develop Sex & the City's Carrie Bradshaw by updating her bedroom for the Sex & the City films? Learn the differences between residential interior design and designing for film and television. What is Lydia's dream design job! Find out this and more on this episode of After the Jump! This program has been brought to you by Clarkson Potter Publishers.

    "Sometimes you have only thirty seconds of screen time to create a world that can be read easily by the audience so that they can see who this person is supposed to be, and you may never go back there again."

    "In a film, you're really struggling to create character, and that's one of the priorities. In a home, you don't need to do that as much, but when you can get to who your clients are and start to help them find things to collect that express that, I think that's where some of my prior work really informs my current interior design work."

    -- Lydia Marks on After the Jump

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