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    First Aired - 10/08/2009 08:00PM
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    Thursday October 8, 2009 - Curtis B. Wayne discusses Frank Lloyd Wright and the turn of the twentieth century with Oliver E. Allen, Debra Allen, & Jake Alspector. http://burningdownthehouse-radioarchitecture.blogspot.com & www.alspecorarchitecture.com
    Jump to Segment:

    Wright and the creation of "ism's"; and Times at the Turn of the Century (36:10)

    Tags:
    architecture, architect, design, Oliver E. Allen, Debra Allen, Jake Alspector, Wooded Victory, Henry Moore, 1094, conformist, gloomy 19th century, Shoenburgh, Red house, pre-Raphaelites, Hartley House of Oak Bark, Darwin G Martin house, Glestner house, Villa Laduc, Modernism, German Romanticism, end of Prairie school movement, manipulation of the landscape, glorify nature, natural is better, work with nature, linear act of design intervention, harrow discs of the great plains, Almstead, Martin house, relentless grid, no straight line vistas, centripetal composition, analog of the ego, Guggenheim, Orientalism, Louis Comfort Tiffany, grid allows for a vastness infinity, John Atlee Kouwenhoven, The Beer Can by the Highway, America is like jazz, physical manifestation of manifest destiny, Modern, era of streamlined expression, Mayan influenced houses, Johnson Wax, Gwathmey Siegal, Charlie Gwathmey, Eric Steel, adulterous love stories, Mrs. Cheney murdered, Wright attracted misery, German and Viennese, social-sexual movements, broadcast radio not until the twenties, era of benign and incremental change, Futurists, Dadaists, a great belief in progress, progress or good living, neologism, sustainability of life, ranch house is popularization of the prairie house, Falling Water house, not buildings but a sculpture, Mister Martin, Buffalo Hyatt Regency, Louis Sullivan building, total decoration, Simon and Garfunkel, Form follows function, Frank Llyod Wright, Stravinsky, Bauhaus, Wright-ian, mosaic, Pyrex tubes skylights, Buffalo pilgrimage, the cult of Frank Llyod Wright,

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